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Steven schwartz fort collins co3/10/2024 The performance consists of six actors playing a number of varied personas. This updated version of “Working: The Musical” is what Actors Theatre of Indiana presents for us. Much has changed since then, so in 2012, a revised version was created to include a few newer occupations and songs, with the help of Lin-Manuel Miranda. The result was the book, “Working: People Talk About What They Do All Day and How They Feel About What They Do.” In 1977, it was turned into a musical by Stephen Schwartz and Nina Faso, with songs by artists including James Taylor. In the early 1970s, Studs Terkel set out to interview various people about their jobs. For information and tickets, see or call 31. There was just a month of rehearsal, so still some rough edges on opening, but the kids are all right, and should be more than ready to bring the “Light of the World” to the stage this weekend (June 22-25) at the Ivy Tech Auditorium, 300 N. Bardos and Meadors join for “By My Side.” Bush rises to the challenge of both popular numbers “Day By Day” and “Turn Back, O Man.” Shambarger celebrates “Bless the Lord” and duets on “Beautiful City” with Brandenburg. Lantzer makes Judas seem kinda sus from the jump, and effectively keeps up the actions of a man willing to play along as long as this movement suits his goals.Īll Disciples have their moments. In the role’s original look – face makeup and Superman shirt with rainbow suspenders to show his “jester’s license” to speak truth to authority – Jesus is gentle, yet never mocked. Recent high school grad Mason Yeater has great stage presence, able to say with a glance that he understands what in the plot must be taken seriously, even when all are just having fun. Performances are executed with the youthful energy and humor that makes this personally one of my favorite musicals. The various songs, including “Day By Day” and “Light of the World,” feature vocals by all: Isabella Bardos, Emmy Bobenmoyer, Joey Brandenburg, Fender Brokamp, Rachel Bush, Jack Levine, Tatum Meadors, Morgan Rusbasan, Quincy Russell, Greta Shambarger, Owen Yeater and Quinn Yeater, as well as the two leads. I could guess who appears to me to represent Simon Peter or Mary Magdeline, but that’s beside the point.)Īs anyone familiar with this show, or the Gospel of Matthew, knows, we get a number of Christian Parables, including “The Good Samaritan” and “The Sower and the Seed,” told and enacted by various cast members – along with a couple of people momentarily pulled from the audience. (This is the only other named biblical figure, the others are given random modern names to keep them relatable. He gives the black ribbon to Lantzer, who from then on plays Judas. Jesus presents favors to each of the gathered disciples, in this case, ribbon pins. But first, John the Baptist (Nick Lantzer) must rally the kids together, his anointing represented by a bubble wand. Our setting is a well-stocked child’s playroom, with lots of toys, plushes, crafts, etc., to aid in the lessons our peer teacher, Jesus (Mason Yeater), has come to share. Carmel Community Players presents “Godspell” as its summer Rising Star Production with youths in all roles, directed by Tanya Haas, who notes she first performed the musical in high school. It is also an easy – and given its playful mood, appropriate – Broadway show to cast with teen and tween actors. As a theatre production, it has a degree of flexibility allowing for creative stagings and inserting modern references to allow audiences to relate to a story from around 30 AD nearly 2000 years later. As a story of Jesus Christ, the 1971 musical “Godspell,” by John-Michael Tebelak with music and lyrics by Stephen Schwartz, goes beyond the traditional Passion Play to give the greater context of what in Jesus’ actions and teachings won him followers, then brought him to the events of the Crucifiction.
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